thank you, Mr Feng

January 12th, 2014

Two paragraphs from Feng Xiaogang’s autobiography:


Coming to New Zealand, when the plane was landing, dawn had just broken, the land was silent, the sky was like photographic paper soaking in developing solution, gradually layer after layer of grey clouds appeared. As I left the airport, it was as if peppermint had been painted on the tip of my nose. I took a deep breath of clean air, cool all the way into my lungs. It had just rained for a night, cars were rolling through pooled water, Auckland looked like a beautiful person who had just cried walking in the wind. Here July is winter.


Leaving New Zealand, I reluctantly parted with this beautiful country. A friend made jiaozi for a farewell dinner, seven days together had been short but happy. A good flower doesn’t open often, one isn’t often in beautiful scenery, after we say goodbye tonight, what day will sir come again? This lyric describes how I felt. A country that had absolutely nothing to do with me, I hadn’t expected it to make me feel a certain attachment to it. On the plane back, my mind was constantly struggling, I asked myself countless times: When I’m old, where will I die?

Yes, that could be translated much better, especially the Teresa Teng lyrics – but in my defence, Feng Xiaogang didn’t remember the lyrics perfectly, anyway. And I’m not sure of his choice of lyrics, either – that song always sounded to me like a hostess in a club talking to a client, perhaps a frequent client, probably older and with a bit of money, encouraging him to run up a decent sized bill.

But the point is this: When she read that, my wife came bouncing into the room saying, “Wow, Feng Xiaogang really loves New Zealand!” and she made me read it.

And I’m thinking: So New Zealand is a beautiful place to go to to die? And what is this preoccupation with death? It reminds me in particular of his If you are the one/《非常勿扰》 films. In the first, he has Shu Qi’s character attempt suicide by jumping off a cliff in Hokkaido, and the second culminates in an assisted suicide, Sun Honglei’s terminally ill character jumping off a boat driven by his best friend, played by Ge You. So Mr Feng thinks of beautiful islands as places to go to die?

Maybe, or maybe my response is rather different from what he intended – after all, I’m not exactly his target audience. And like I said, my wife’s reaction to those two paragraphs was overwhelmingly positive. So I’m thinking, given how popular Feng Xiaogang is, that these two short paragraphs are a big advertisement for New Zealand.

The book, by the way is: 《不省心》,冯小刚著,长江文艺出版社,2013年9月。

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